From finding artistic freedom as a student at the Bauhaus in Germany in the early 1920s, to encountering, understanding and connecting with her and her work, this issue explores how it is only recently that Anni Albers has finally received global recognition for being the pioneering artist that she was.
With Tate Etc.’s Autumn 2018 issue, step into the strange world of the late-Victorian artist Edward Burne-Jones; discover Kerry James Marshall’s Untitled (London Bridge) 2017, with its stories of dislocation and questions on the possibilities of commemorating Black history; get familiar with Rotimi Fani-Kayode’s complex and emotionally-raw portfolio; ponder when art becomes art and much more.
About the Publication
Tate Etc., Tate’s art magazine that is published three times a year, uses Tate collections, events and projects as starting points to explore the visual arts scene on an international scale. From essays to interviews, from cutting edge studio work to archive highlights, Tate Etc. follows the work creating the most interesting debate and explores its context, history and meaning. Blending the historic, the modern and the contemporary, Tate Etc. shows that art does not exist in a vacuum, but is rooted in many traditions.
