The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book, which highlights changing and divided societies and their evolving norms in the post-Soviet period.
Inspired by the titular concepts, of punk and orientalism, the text functions as a form of bricolage, uniting punk movements and strategies, which can be traced in popular visual culture from the 1970s onwards. The idea of punk is coupled with a critical study of Orientalism and its historical association with imperialist assumptions of knowledge concerning the East. Punk Orientalism expands its association with this territory to explore former Soviet possessions in Central Asia and the Caucasus, as well as look at the USSR’s complex relationship with the Arab world, Iran and Turkey.
Thematically organised, Punk Orientalism presents a thoroughly researched and fascinating selection of contemporary art from a complex and multifaceted part of the globe, featuring diverse artists such as Lida Abdul, Babi Badalov, Ergin Çavusoglu, Taus Makhacheva and Erbossyn Meldibekov, who have challenged state and academic policies, mapped new territories, and formed new artistic movements. Punk Orientalism examines history as a conduit for revisionist thinking and rebellion, appealing to those readers interested in revolutionary practices in contemporary art. This thought-provoking book highlights breaking free from the entrapment of imperialism and shines a light on one of the most under-researched regions in the contemporary art world.
About the Author
Sara Raza is an award-winning global contemporary art historian, curator, and writer based in New York City.
About the Publisher
Black Dog Press produces a broad range of illustrated books that respond to and showcase developments in contemporary art and culture. We are committed to delivering robust critical content, imaginative design, and high production value in every title.
