Renoz, Modern Ruins (2024)

TAP

Renoz, Modern Ruins (2024)

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As I gaze upon the city’s urban landscape, I am met with numerous monuments, structures, and objects. Often, these remnants are the residue of development projects that faltered and, neglected, become fixtures of the streets, gradually melding into the urban scenery while losing their original functionality. These objects evolve into modern ruins.


Dimensions: 28 x 20 cm / 50 x 70 cm
Weight: 0.02 kg / 0.1 kg
Material: Photo paper OLMEC Premium Matte (230gsm)

Signed Certificate of Authenticity included.

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Ahmad Ghaddar aka Renoz is a Lebanese multidisciplinary artist based in Barcelona. His work exists at the intersection of urban art and studio practice. Originally from South Lebanon and trained at the Lebanese University, his practice has always been a deconstruction of the social and political forces that dictate our public spaces. In Beirut, this meant a clinical examination of post-civil war urban structures and the "makeshift" solution that communities create to survive systemic failures.

TAP is a nonprofit organization committed to making another world possible, by affecting social change through contemporary art.

Founded in a region of unrelenting volatility and absent cultural policies, TAP curates the conditions for communities, private bodies and governmental institutions to recognize that contemporary artists can be allies in driving enduring social change amidst precarious contexts.

In the process, TAP creates accessible tools and production opportunities for contemporary artists, whilst rendering their practice porous and participatory, within and beyond the field of art.

TAP was founded by curator Amanda Abi Khalil and registered as a nonprofit organization in Lebanon in 2014 and in France in 2020. It is based in Beirut and Paris, and its interventions take place internationally.

Ahmad Ghaddar aka Renoz is a Lebanese multidisciplinary artist based in Barcelona. His work exists at the intersection of urban art and studio practice. Originally from South Lebanon and trained at the Lebanese University, his practice has always been a deconstruction of the social and political forces that dictate our public spaces. In Beirut, this meant a clinical examination of post-civil war urban structures and the "makeshift" solution that communities create to survive systemic failures.

TAP is a nonprofit organization committed to making another world possible, by affecting social change through contemporary art.

Founded in a region of unrelenting volatility and absent cultural policies, TAP curates the conditions for communities, private bodies and governmental institutions to recognize that contemporary artists can be allies in driving enduring social change amidst precarious contexts.

In the process, TAP creates accessible tools and production opportunities for contemporary artists, whilst rendering their practice porous and participatory, within and beyond the field of art.

TAP was founded by curator Amanda Abi Khalil and registered as a nonprofit organization in Lebanon in 2014 and in France in 2020. It is based in Beirut and Paris, and its interventions take place internationally.

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