Brute Ornament

Art Jameel

Brute Ornament

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Brute Ornament, a two-person exhibition featuring the works of New York-based artists Kamrooz Aram and Seher Shah, was accompanied with this comprehensive publication edited by Murtaza Vali and with contributions by Shumon Basar, Media Farzin and Alan Gilbert.

In their recent work, ornament comes to function less as an overt marker of cultural difference than the specific terrain on or through which a sophisticated dialogue between the iconography of traditional Islamic forms and the history, theory and ideology of modernism unfolds. This recent work also exhibits hints of ambivalence towards ornament, playing out distinctly in their respective oeuvres. In Shah’s most recent drawings, while form and space verge on pure abstraction, the black monoliths that dominate the compositions are juxtaposed against dispersals of smaller geometric shapes whose complex patterns fold and unfold, expand and contract, asserting their presence. And in Aram’s most recent paintings, while pattern and geometry both struggle to dominate the final image, expressive and gestural painterly marks challenge their visual integrity. Ornament appears both brutal and brutalised.

Black and white and colour illustrations

Softcover

64 pages

ISBN: 9789948164272

Publisher: Green Art Gallery

Published in 2012

Published in the United Arab Emirates

Designed by Leena Saoub

This item is eligible for international shipping.

Throughout its storied history as a gallery active in the Middle East for nearly four decades, Green Art Gallery has had the privilege of bearing witness to the tremendous transformations that the regional art scene has witnessed.

Now in its second generation and newest form, Green Art Gallery relaunched in 2010 as a contemporary art space. Its programme features artists working across diverse media, whose practices are rigorously researched, idea-led and representative of the present moment. The gallery represents a multi-generational mix of artists from the Middle East, North Africa, South Asia and beyond, reflecting Dubai’s position as a cosmopolitan—as well as artistic—entrepôt.

Kamrooz Aram’s work is rooted in the history and practice of painting, which he expands to include collage, photography, sculptural works and exhibition design. Aram’s work sets out to renegotiate the art historical hierarchy that places ornamental artforms in a category of value beneath fine art.

Canvas is a bi-monthly magazine distributed across the world and offering the very best in art and culture from the Middle East and beyond. With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue carries an exclusive feature.

Randhir Singh spent 15 years working in New York City at several award-winning architecture and design firms while taking photography classes. His practice draws on his education as an architect with a focus on issues related to architecture and urbanism.

Seher Shah’s practice uses experiences from the field of art and architecture to think about space, landscape, objects and aesthetics through drawing, printmaking and sculpture. Her work draws through scale shifts between the individual to architecture, personal memory to collective historical events and the transformation of symbols and spaces.

Throughout its storied history as a gallery active in the Middle East for nearly four decades, Green Art Gallery has had the privilege of bearing witness to the tremendous transformations that the regional art scene has witnessed.

Now in its second generation and newest form, Green Art Gallery relaunched in 2010 as a contemporary art space. Its programme features artists working across diverse media, whose practices are rigorously researched, idea-led and representative of the present moment. The gallery represents a multi-generational mix of artists from the Middle East, North Africa, South Asia and beyond, reflecting Dubai’s position as a cosmopolitan—as well as artistic—entrepôt.

Kamrooz Aram’s work is rooted in the history and practice of painting, which he expands to include collage, photography, sculptural works and exhibition design. Aram’s work sets out to renegotiate the art historical hierarchy that places ornamental artforms in a category of value beneath fine art.

Canvas is a bi-monthly magazine distributed across the world and offering the very best in art and culture from the Middle East and beyond. With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue carries an exclusive feature.

Randhir Singh spent 15 years working in New York City at several award-winning architecture and design firms while taking photography classes. His practice draws on his education as an architect with a focus on issues related to architecture and urbanism.

Seher Shah’s practice uses experiences from the field of art and architecture to think about space, landscape, objects and aesthetics through drawing, printmaking and sculpture. Her work draws through scale shifts between the individual to architecture, personal memory to collective historical events and the transformation of symbols and spaces.

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