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Gebran Tarazi: Twelve Seasons

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In this book, the most illuminating emblematic outcome of this spiritual ascesis – the paintings from between 1988 and 2003, intended as conceptual, symphonic series – is presented alongside his other works: graphic works, decorated chests and mirrors. His “seasons” are geometric and chromatic variations that explore the square format and the traditional pattern of Qayem-Nayem which geo-cultural ramifications reflect the influences of Damascus, Jerusalem, Rabat and Beirut.

colour and black and white illustrations

Bilingual edition: French / English

Hardcover

336 pages

Dimensions: height 22.5 x width 15 x depth 2.5 cm

ISBN: 9791093781013

Publisher: Zaman Books & Curating

Published in March 2017

Country of Publication: Beirut, Lebanon

Weight: 1.4 kg

This item is eligible for international shipping.

Morad Montazami is an art historian and curator. His research interests are cosmopolitan modernisms and histories of the avant-garde in the Southern and Eastern Mediterranean and North Africa.

With a variety of formats, monograph, thematic or collective books, Zamân Books publications (historically born out of a generation of marxists and postcolonial intellectuals) cultivate a spirit of activist/archivist. Committed to the general fieldwork study of Arab, African and Asian modernities, our books seek to constitute authentic data and theoretical tools; at the service of an emancipated history of visual arts, their geographical and conceptual journeys. Eventually to play the role of an interface between different spheres of knowledge and art theory: academic knowledge, artistic knowledge, vernacular knowledge, digital knowledge.

Morad Montazami is an art historian and curator. His research interests are cosmopolitan modernisms and histories of the avant-garde in the Southern and Eastern Mediterranean and North Africa.

With a variety of formats, monograph, thematic or collective books, Zamân Books publications (historically born out of a generation of marxists and postcolonial intellectuals) cultivate a spirit of activist/archivist. Committed to the general fieldwork study of Arab, African and Asian modernities, our books seek to constitute authentic data and theoretical tools; at the service of an emancipated history of visual arts, their geographical and conceptual journeys. Eventually to play the role of an interface between different spheres of knowledge and art theory: academic knowledge, artistic knowledge, vernacular knowledge, digital knowledge.

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