Issue 112 - March, April 2019

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Issue 112 - March, April 2019

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This issue features a retrospective on Keiichi Tanaami, whose surreal fusion of Edo-era aesthetics and Americana helped shape Japan’s pop art movement. Also highlighted are Timur Si-Qin’s immersive installations that challenge the divide between humanity and nature, and a special look at How to See [What Isn’t There], Gianni Jetzer’s evocative exhibition exploring absence and perception at the Langen Foundation.

Softcover

144 pages

Dimensions: height 29.5 x width 22.5 x depth 1.7 cm

Publisher: Art Asia Pacific

Published (date) 2019

Country of publication: Hongkong

This item is eligible for international shipping.

ArtAsiaPacific magazine is the leading English-language periodical covering contemporary art and culture from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published six times a year in Hong Kong.

Canvas is a bi-monthly magazine distributed across the world and offering the very best in art and culture from the Middle East and beyond. With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue carries an exclusive feature.

ArtAsiaPacific magazine is the leading English-language periodical covering contemporary art and culture from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published six times a year in Hong Kong.

Canvas is a bi-monthly magazine distributed across the world and offering the very best in art and culture from the Middle East and beyond. With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue carries an exclusive feature.

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